Sunday, January 16, 2022
Saturday, August 28, 2021
A second tasteful selection of upbeat soothers -- from love bug Anna Leah’s hooky-af self-penned slow jam to the sound of a seaside afternoon cafe quintet; plus a New Age James K Baxter bossanova, teenage rock’n’rollers now relaxed and all grown up, and ex-‘Nature’-ists salacious snakebit soul. Forgotten and underrecorded folks like Fire Exit and Jade — here rescued from RNZ’s Radio Trax promo LPs — cheek to cheek with peeps on sweet boutiques like Tartar and Charisma, and those on heavy-hitting acronyms EMI, CBS & RCA.
Sleek, streamlined and satiny, this collection uncovers and uplifts uncoloured funk, throbbing grunty grooves, and effervescent weltschmerz from these tanned and glassy bands, featherlight singer-songsters, shimmering studio whizzes, session legends, rising stars and also-rans.
Tuesday, May 5, 2020
These tracks from '72 - '83 serve up a soft and sunny coupling of singer/songwriter & soul sensitivities, mixed with disco & funk lubricity and produced in second string Steely Dan sophistication. Sometimes there's sax or brass, maybe a string section, almost always an electric piano. Tune in to tight & dirty grooves, seriously cheesy sleaze, elegant arrangements, pastoral post-disco chill-outs, bouncy soul serenades and country funk ballads.
Dismissed at the time by supercilious hipsters (and now championed by the same), these smooth'n'lite sounds soothe and swaddle and deserve a second and third listen in these nervous times. Suck up the sensual sentimentality, luxuriate in the pricey production, and bob your noggin to the rhythms of Whispering Waves.
I Want The Sand In My Shoes, I Want The Wind In My Hair
Monday, December 30, 2019
Volume Two of this series collects a complex, chirpy swathe of minimal wave, electrogoth, Peter Gabriel-/Kate Bush-inspired sophisticated pop, R&B and B-Boy music, a melodramatic Bowie clone, and sweet throwaway love-pop -- all awash in the timeful silicon sounds of Rolands, Korgs, Moogs and Yamahas.
Deep In My Mind I Rehearse The Scene
Saturday, May 4, 2019
20 Krypton Hits Volume One (1983)
Sunday, April 29, 2018
Both artists have been involved with electronic music, though I've only heard Besser in Free Radicals. But this part of their practice is evident in the record's opening suite.
Extended techniques expand the timbres in the Three Impressions of 'Dark Wind': in Part One, reverberating wooden raps and clouts on bodies of piano and violin, strummed piano wires and whispery un-rosined bowing wheeze huff and heave like the sea; Part Two's tinkling keys ground the flutter and swoop of birdcalls/-flaps/-hoppings chivvied from the fiddle; whilst Part Three feels electronically augmented, with low piano strings struck odd-chiming like ring-modulation, and paper slipped 'twixt the violin strings sizzles and snaps 'midst buzzy sawtooth scything. Unambiguously bewitching.
Saturday, March 24, 2018
Traditional EnZed bedroom studio stuff in the orthodoxy of Chris Knox or Kraus, Alastair Galbraith or Darcy Clay or Stefan Neville -- like The Residents recording The Basement Tapes or Jonathan Richman's Thinking Fellers tribute act solo-recorded on the dole, all dolloped in Strapping Fieldhands' sloshed slapdashery.
81 songs on six tapes over two short years! Cheesy preset synths and sound effects, home organ, drum machine and double-tracked vocals, guitar and bass and banjo. Riffs for Africa, Velvet earworms, effortless songcraft out the metaphorical wazoo, plus jokes 'n' puns & drones 'n' gems a-poppin'.
Download and overdose on this underlooked ol' wunderkind! Unreservedly recommended.
Fat Spring Coal & Diamonds In The Lava (1987)