Showing posts with label post-punk. Show all posts
Showing posts with label post-punk. Show all posts

Sunday, January 16, 2022

The Digits - Dog Wrestled To Ground By Underarm Combat Flea (1981)


What a peculiar delight! DIY garage psych from 1981 Wellington, like The Godz and Chrome had a high school basement supergroup jam-band. An unexpected gift from contributor Mick, this record is rare as -- only 200 copies pressed, and probably most of them totally forgotten. Unfair dismissal! Until now, dear listener...

Side one starts reasonably songy-song conventional with 'Friend Who Sits Beside You' -- though not without naïve charm plus some scungy background lead guitar -- but it just gets weirder and better from there. 'Night Time' and 'Vege Man' are wistful acid à la Syd, 'A Throw Away' and 'Modern Viewee' are munted budget Hawkwind ft. Helios Creed, while 'After Sausage' gets all nut-gone flakey. 'Mental Blanco' raw powers its punk roots with angle-grinderish soloing, and 'Perfect Evolution' powerpops with filtered white noise, thereminny howls and moog-y bloops. 

Side two is presented as one long piece (though some -subtle and not-so splices are evident) albeit with eight different track titles -- Faust Tapes-style! The linked files include the option of either one long complete side two, or individual best guesses for separate named tracks. It starts strong and there are truly some great bits, but as a side of long-playing vinyl it's maybe slightly omphalosceptically circumlocutory -- and just a wee bit familiar: the sort of smoky jamz I've heard in warehouse gigs from mid-90s Philly to mid-10s Dunedin. Not bad if they're your friends and you've got some cheap beer! I fully dug the whole dang thing though so see how you go, yo.

A long drive and a ferry ride from the FNun releases of the same year: it's post-punk (I guess?) and homemade but unafraid of (admittedly cheap-arsed) studio techniquery: expect hard-panning as stereo-tremoloing (or clumsy psychoacoustic headfuqz), skilsaw fuzz, flanged vocals and/or drums, cheap reverrrrbbbb and whoop-whoop-delays.

Gary Steel interviewed prime Digit Malcolm Pickup and wrote a few reviews at the time. Have a read here.

Source vinyl is quite crackly, but in a warmth-adding rather than hifi-snob-snubbing way. Includes three bonus tracks: The Digits' two songs from 1981's Wellingtonzone comp, plus the sole release from singer/guitarist Pickup's previous group Smashed Executive, 'T.V.' released on the 1979 Radio Windy Home Grown Volume One comp.


Saturday, May 4, 2019

Autumn Jumbo Fun-Pak: Onset/Offset Cassette Comps (1983-87)

Digging back into the fertile fields of the 1980s Christchurch underground. Many of these songs were comped on the Krypton Ten 2xLP, but now you can listen to them in all of their 35-year-old, 'tape-saturated', hissy and disintegrating glory! Read all about Onset/Offset in Andrew Schmidt's article here



20 Krypton Hits Volume One (1983)








Krypton Green (1984)







Krypton Red (1984)





Krypton Amber (1984)





KVEETWO (1987)



Saturday, March 24, 2018

Autumnal Jumbo Fun-Pak: The Unmatchable Robert Cardy (1987-88)

Continuing our Christchurch cassette excavations: home-tapes from the bountiful Bob Cardy (Axemen, Shaft, etc.).

Traditional EnZed bedroom studio stuff in the orthodoxy of Chris Knox or Kraus, Alastair Galbraith or Darcy Clay or Stefan Neville -- like The Residents recording The Basement Tapes or Jonathan Richman's Thinking Fellers tribute act solo-recorded on the dole, all dolloped in Strapping Fieldhands' sloshed slapdashery.

81 songs on six tapes over two short years! Cheesy preset synths and sound effects, home organ, drum machine and double-tracked vocals, guitar and bass and banjo. Riffs and raffs, Velvet earworms, effortless songcraft out the metaphorical wazoo, plus jokes 'n' puns & drones 'n' gems a-poppin'.

Down- and overload on this underlooked ol' wunderkind! Unreservedly recommended.


Fat Spring Coal & Diamonds In The Lava (1987)




Lallapaloosa (1987)






Public Address (1987)







18 Milky Bar Odes (1987)




A Thousand And One Stag Nights (1988)




Gloss (1988)





Thursday, December 30, 2010

Class Of 81 (1981)

Happy 2011! In a few days, the Class of 81 will be celebrating their 30th anniversary...

Simon Grigg put this out on Propeller, and over on his site he gives heaps of info on this comp, the neglected little brother of his massive AK79.

My copy has a small amount of surface noise, but there's a bit of popping particularly on the the first three tracks of side two. However, the Screaming Meemees track can be downloaded all clean and legit, and Blam Blam Blam's is on their 'Complete' CD; both can be purchased at Amplifier.co.nz

For fans of The Chills, The Clash, and the Cure.


Here We Go

Thursday, October 21, 2010

Mole Männe - Mole Männe (1983)



Can't really find out much about this album, so I'll just have to tell you what I reckon. Recorded in 1983 for Jayrem, Mole Männe's self-titled EP is caught somewhere between punk and post-punk: linear monotone vocals, minimalist superfuzz licking, big rumbling stereo-separated Gang of Four/PIL drumming, and "production values"; paired with teen-angst poetics.

It's dreary and adolescent, and feels like small-town-rock-band to me, and that's a recommendation.

And We Won't Live Long

Tuesday, June 22, 2010

Teenagers From Outer Space: Thirteen Christchurch Nuggets 1980 - 1983

Today is my birthday, so here is yr prezzie: the debut of this comp, TEENAGERS FROM OUTER SPACE! I'm very excited about this; having been sitting on it for far too long, it's time to share.
Very, very tasty tracks here, blended and rolled up for you by a true connoisseur, the inimitable Mr Andrew Schmidt. Here's his words:
Teenagers From Outer Space – Thirteen Christchurch Odds ‘n Sods – 1980 – 1983


Ballon D'Essai – False Projections – 1983
Three D covers, vividly coloured screenprints, insert comic books - Ballon D'Essai records were an arty treat. And while the music didn't always live up to the packaging both of their EPs threw up some worthy sounds. The most interesting of which is False Projections. Written by Stephen MacIntyre, you can hear early hints of his work with All Fall Down in the slow prowling beat and VU-like serpentine lead that evokes Mainly Spaniards, and predates Flex era JPSE. The Christchurch sound anyone? Simon Says from the same EP is also worth checking out giving the best example of their later funky post-punk sound.

The Builders – Alien / Bedrock Bay – 1982
Bill bounced these two from EST’s Songs From The Lowland after the first run which we had. Two rocked up versions of Alien and bedrock Bay that showed Bill coulda been a (left field) mainstream rocker if he wanted.

The Gordons – Quality Control / Mengus Fugit - 1984
This is The Gordons that dare not speak its name. The second Gordons - John Halverson (guitar), Vince Pinker (bass) and Brent McLaughlin (drums) – that emerged out of Sheep Effect to record The Gordons’ Second Album. Unavailable still its tracks are a fairly pale version of the Parker-era Gordons bar Quality Control, a wired must-hear Gordons rocker and Mengus Fugit, which is equally relentless but less linear twin. Two of their best.


The Great Unwashed - Bad News For Jesus – 1983
The Great Unwashed with Peter Gutteridge on board in Christchurch with an E chord strummer full of the same infectious swing he'd bring to his masterful contributions to Singles in 1984. Taken from The Clean/ The Great Unwashed - Oddities 2 – 1987. Check the lyric. "Bad news for Jesus today, God got married, and had another son. "Zombies at the door, zombies at the door, all dressed up, in Sunday chains, there's Zombies at the door."

The McGoohans – Psychedelic Texas - 1983
Christchurch pean to Pebbles heartland, Texas, that few would have recognised back then. Only available on 20 Krypton Hits (Onset Offset Records tape) - 1984

The Newtones – Christchurch Part 2 - 1981
The Newtones EP debuted on the NZ pop charts at number 19, sold out its first pressing quickly then dropped out the next week. This popular Christchurch trio, who featured ex-Vauxhall/Streets Of Flowers guitarist Mark Brooks on bass and vocals, and Vandals/Aliens/Streets of Flowers singer Tony Peake on guitar and vocals, needed no gimmicks on the fuzz propelled rocker, China, a Tony Peake song echoing the aggression of the punk years and hinting at Peake’s love of sixties psych. The flanged pop/ rock of Christchurch part 2 is a deliberate and effortless Christchurch anthem.

The Newtones – My World – 1982
More flat street pop from the prolific Newtones. My World is a Mark Brooks song taken for a long stroll by Brooks’ bass, Martin Archbold’s drums and Tony Peake’s guitar. Second Top 50 single from early 1982.

The Pedestrians – Looking Out My Window – 1982
The Pedestrians – Kevin Stone, Stuart McLachlan and Peter Wood - were a Napier power pop trio who moved to Christchurch in 1981 then hit their stride in 1982 after picking up drummer Lloyd Morgan. This lineup played regularly at new club PJs, the Gladstone, and the Star and Garter, and released the only Pedestrians single. Guitarist McLachlan’s spry pop stroll down a cracked Napier street, Looking Out My Window, backed with bassist Stone’s Jam-ish The Boys and The Girls. Lisa Bouillir sang in a late version of the group.

The Terraces – A Place Like This - 1982
The spooked sound and feel of a chill bright morning rapping over the Canterbury Plains. Roland de Beer (vocals/ drums), Brendan Cheyne (vocals/ guitar), and Peter Brennan (bass) were The Terraces, a post-punk trio who later added sax. Flipside on The Terraces’ only single from 1982.

The Vauxhalls - Teenager From Outer Space - 1980
Thank god The Vauxhalls managed to get into Christchurch’s Orley Studios in late 1980. That the recordings included a song this good is a bonus and real meat to the myth. Unfortunately by the time they got to record The Vauxhalls were minus Scott Brooks, the bass player so Mark Brooks plays bass and guitar. Martin Archbold drums. On the best track Teenager From Outer Space Mark Brooks lets rip ‘bout a quarter of the way through a wild chunk of garage R&B lead that burns the carpet. Unreleased.

The World – Mystery - 1983
You don’t hear much about Christchurch’s The World (Charles Heyward/ Allen Meek/ Malcolm Grant/ Andrea Cocks/ Bridgit Mulcahy) these days but it seems John Campbell in his haste to big up the Scottish originals has overlooked a Kiwi Orange Juice. Wrap those ears around the first track here, John, Mystery, it’s an upbeat funky joy with scratchy VU guitaring. The World released a tape in their own right in 1983 from which this track was sourced.

When the Night Gets Long