Showing posts with label pop. Show all posts
Showing posts with label pop. Show all posts

Saturday, March 24, 2018

Autumnal Jumbo Fun-Pak: The Unmatchable Robert Cardy (1987-88)

Continuing our Christchurch cassette excavations: home-tapes from the bountiful Bob Cardy (Axemen, Shaft, etc.).

Traditional EnZed bedroom studio stuff in the orthodoxy of Chris Knox or Kraus, Alastair Galbraith or Darcy Clay or Stefan Neville -- like The Residents recording The Basement Tapes or Jonathan Richman's Thinking Fellers tribute act solo-recorded on the dole, all dolloped in Strapping Fieldhands' sloshed slapdashery.

81 songs on six tapes over two short years! Cheesy preset synths and sound effects, home organ, drum machine and double-tracked vocals, guitar and bass and banjo. Riffs and raffs, Velvet earworms, effortless songcraft out the metaphorical wazoo, plus jokes 'n' puns & drones 'n' gems a-poppin'.

Down- and overload on this underlooked ol' wunderkind! Unreservedly recommended.


Fat Spring Coal & Diamonds In The Lava (1987)




Lallapaloosa (1987)






Public Address (1987)







18 Milky Bar Odes (1987)




A Thousand And One Stag Nights (1988)




Gloss (1988)





Monday, January 2, 2012

The Jessels - Bobzilla b/w The Worst Noël (1982)

Belated xmas wishes from Switched Out (a week later) and from Flying Nun (30 years later)!

According to what my pal Google tells me, this joint is Chris Knox joined by his partner Barbara, David and Hamish Kilgour, Doug Hood and others around the flat. The a-sider is a fantasy about Doug's cat Bob becoming ten stories high and destroying Christchurch, and the b-side is a bunch of xmas-themed nonsense.

Extremely rare, this goes for heaps on eBay and TradeMe. I was lucky enough to get this from my mate Mac, who had two copies and was downsizing his collection.


Tuesday, May 3, 2011

The Puddle - Live at the Teddy Bear Club (1991)


Overlooked for a long time and currently enjoying a well-deserved comeback, George D Henderson's The Puddle released this bootleg-ish live recording during a period when the band included two of the Look Blue Go Purples (before they, most Chills-ishly, began changing line-ups regularly). 

The Puddle probably wallowed in obscurity due to exceptionally muddy production on their studio releases ('Pop Lib' and 'Into the Moon') and the loose 'n' lo-fi vibe of this set. It didn't help that they never made it to any Flying Nun compilations, and George waited fourteen years between his last Flying Nun release and his first on Powertool, the long-thought-lost 'Songs for Emily Valentine' (recorded in '92 but not released til '06), which includes the thrice-comped anthem, 'Southern Man'.

To my ears, this is by far the best of the three early-era Puddle albums in terms of listenability. These songs are absolute classics -- so good you will swear that you already know them -- and it's a shame that there are no 'definitive' versions.  

The Puddle is touring again, and they are bloody terrific. Go see 'em.


It Was You That Was Makin' Me High [Link removed]

Tuesday, April 5, 2011

Blerta - This Is The Life (1975)

 
A crucial chapter in NZ's alternative lifestyle, music, film, and visual and performing arts histories, the legend of Blerta's four years on Earth (and probably other planets) possibly outweighs their actual recorded output. Others have written plenty about the significant influence of the troupe, including Roger Booth's excellent Bruno Lawrence bio, and a Radio New Zealand audio documentary.

The cover art -- and the image of muddy hippies that the Blerta story conjures up -- has little to do with their sophisticated, finely-honed music. I expected fuzz guitar, sloppy lyrics about peace, and possibly bongos. Their debut album is jazzy, silly, bawdy, and above all well-crafted. Side one really captures the theatrical side of the touring band, with suggestive story-songs for the grown-ups (no "Dance All Around The World" here), and Beaver's joyful ballad "This Is The Life." Side two starts with the short Bruno-sung "Superman", then another ballad, then quickly moves on to nearly 20 minutes of tight pop-psych-jazz instrumentals. 

Essential.


Lyin' in bed, right out of my head [link removed]

Tuesday, February 8, 2011

Sneaky Feelings - Send You (1983)


Look, I'll be the first to admit that it took me a long time to really get the Sneakies. As a latecomer to the Flying Nun and Dunedin Sounds, I actually read Matthew Bannister's memoir Positively George Street before I heard any of the Sneaky Feelings' music. Bannister does his band no favours in his juicy, gossipy, bitter book with his continuous sad sack whinging that all the "cool people" thought his band was "wet."

I dug their contribution to the uniformly excellent Dunedin Double EP, but always fourth out of four. A mate sent me Send You several years ago, but it always seemed just as wimpy as Bannister's perceived detractors complained. 

But it's a way homer, this one. It's excellently produced, jangles and chimes with the best of the F'Nuns as it moves between Shoes-y power pop ("Someone Else's Eyes") and growling Baroque garage ("P.I.T. Song/Won't Change"). Give it a chance. If you don't get it at first (as I sure didn't), keep trying.


Facing The Sad Sunrise [Link removed]

Tuesday, June 22, 2010

Teenagers From Outer Space: Thirteen Christchurch Nuggets 1980 - 1983

Today is my birthday, so here is yr prezzie: the debut of this comp, TEENAGERS FROM OUTER SPACE! I'm very excited about this; having been sitting on it for far too long, it's time to share.
Very, very tasty tracks here, blended and rolled up for you by a true connoisseur, the inimitable Mr Andrew Schmidt. Here's his words:
Teenagers From Outer Space – Thirteen Christchurch Odds ‘n Sods – 1980 – 1983


Ballon D'Essai – False Projections – 1983
Three D covers, vividly coloured screenprints, insert comic books - Ballon D'Essai records were an arty treat. And while the music didn't always live up to the packaging both of their EPs threw up some worthy sounds. The most interesting of which is False Projections. Written by Stephen MacIntyre, you can hear early hints of his work with All Fall Down in the slow prowling beat and VU-like serpentine lead that evokes Mainly Spaniards, and predates Flex era JPSE. The Christchurch sound anyone? Simon Says from the same EP is also worth checking out giving the best example of their later funky post-punk sound.

The Builders – Alien / Bedrock Bay – 1982
Bill bounced these two from EST’s Songs From The Lowland after the first run which we had. Two rocked up versions of Alien and bedrock Bay that showed Bill coulda been a (left field) mainstream rocker if he wanted.

The Gordons – Quality Control / Mengus Fugit - 1984
This is The Gordons that dare not speak its name. The second Gordons - John Halverson (guitar), Vince Pinker (bass) and Brent McLaughlin (drums) – that emerged out of Sheep Effect to record The Gordons’ Second Album. Unavailable still its tracks are a fairly pale version of the Parker-era Gordons bar Quality Control, a wired must-hear Gordons rocker and Mengus Fugit, which is equally relentless but less linear twin. Two of their best.


The Great Unwashed - Bad News For Jesus – 1983
The Great Unwashed with Peter Gutteridge on board in Christchurch with an E chord strummer full of the same infectious swing he'd bring to his masterful contributions to Singles in 1984. Taken from The Clean/ The Great Unwashed - Oddities 2 – 1987. Check the lyric. "Bad news for Jesus today, God got married, and had another son. "Zombies at the door, zombies at the door, all dressed up, in Sunday chains, there's Zombies at the door."

The McGoohans – Psychedelic Texas - 1983
Christchurch pean to Pebbles heartland, Texas, that few would have recognised back then. Only available on 20 Krypton Hits (Onset Offset Records tape) - 1984

The Newtones – Christchurch Part 2 - 1981
The Newtones EP debuted on the NZ pop charts at number 19, sold out its first pressing quickly then dropped out the next week. This popular Christchurch trio, who featured ex-Vauxhall/Streets Of Flowers guitarist Mark Brooks on bass and vocals, and Vandals/Aliens/Streets of Flowers singer Tony Peake on guitar and vocals, needed no gimmicks on the fuzz propelled rocker, China, a Tony Peake song echoing the aggression of the punk years and hinting at Peake’s love of sixties psych. The flanged pop/ rock of Christchurch part 2 is a deliberate and effortless Christchurch anthem.

The Newtones – My World – 1982
More flat street pop from the prolific Newtones. My World is a Mark Brooks song taken for a long stroll by Brooks’ bass, Martin Archbold’s drums and Tony Peake’s guitar. Second Top 50 single from early 1982.

The Pedestrians – Looking Out My Window – 1982
The Pedestrians – Kevin Stone, Stuart McLachlan and Peter Wood - were a Napier power pop trio who moved to Christchurch in 1981 then hit their stride in 1982 after picking up drummer Lloyd Morgan. This lineup played regularly at new club PJs, the Gladstone, and the Star and Garter, and released the only Pedestrians single. Guitarist McLachlan’s spry pop stroll down a cracked Napier street, Looking Out My Window, backed with bassist Stone’s Jam-ish The Boys and The Girls. Lisa Bouillir sang in a late version of the group.

The Terraces – A Place Like This - 1982
The spooked sound and feel of a chill bright morning rapping over the Canterbury Plains. Roland de Beer (vocals/ drums), Brendan Cheyne (vocals/ guitar), and Peter Brennan (bass) were The Terraces, a post-punk trio who later added sax. Flipside on The Terraces’ only single from 1982.

The Vauxhalls - Teenager From Outer Space - 1980
Thank god The Vauxhalls managed to get into Christchurch’s Orley Studios in late 1980. That the recordings included a song this good is a bonus and real meat to the myth. Unfortunately by the time they got to record The Vauxhalls were minus Scott Brooks, the bass player so Mark Brooks plays bass and guitar. Martin Archbold drums. On the best track Teenager From Outer Space Mark Brooks lets rip ‘bout a quarter of the way through a wild chunk of garage R&B lead that burns the carpet. Unreleased.

The World – Mystery - 1983
You don’t hear much about Christchurch’s The World (Charles Heyward/ Allen Meek/ Malcolm Grant/ Andrea Cocks/ Bridgit Mulcahy) these days but it seems John Campbell in his haste to big up the Scottish originals has overlooked a Kiwi Orange Juice. Wrap those ears around the first track here, John, Mystery, it’s an upbeat funky joy with scratchy VU guitaring. The World released a tape in their own right in 1983 from which this track was sourced.

When the Night Gets Long

Tuesday, April 20, 2010

Bill Direen and the HAT (1990)

Couldn't resist putting this up after the last post. This is perhaps my favourite Bill Direen album, only ever available on this South Indies cassette as far as I know. The HAT stands for Hamish Kilgour (The Clean, The Mad Scene, Mood Expansion Chamber, etc.), Allen Meek (Victor Dimisich Band), and Tony O'Blaney, with help from Liz Silver, Lisa Siegel and Steve Cournane. I know at least one of these songs (Nil-Nil) made it onto another album (Cut) in another form (and three others appeared on the 1994 CD version of Bilderine 'Split Seconds'), but this South Indies cassette presents a far better version, at least to my ears. The band just really gels, and the addition of atmospheric, sympathetic synth gives these songs an unexpected melancholy lushness.



I'd rather be a yellow hammer falling from the sky (link  removed -- buy it here!)

Tuesday, April 13, 2010

Bill Direen - Live at the Gladstone, Christchurch (1984)

Our man Bill Direen was recently selected as University of Auckland/Creative New Zealand writer-in-residence at the Michael King Writers’ Centre in Devonport from July this year. In honour of this award, here is a tasty little bootleg live recording of the man alone, from a 1984 solo performance in Christchurch. It's approx. one half Builders/Bilders/Bilderine/Soluble Fish songs, with a Doors(!) song, a couple of blues classics (Leadbelly's 'Red Cross Sto' and Ma Rainey's 'See See Rider [Easy Rider]'), and 'Mack the Knife' as murder ballad.

This intimate recording is taken from an old audience cassette, and as such is filled with stops and starts, crowd noises, pops and clicks (tho' it still sounds great, no worries).


I Drink

Monday, February 22, 2010

The Chicks of '86: Jay Clarkson - s/t + Sandra Bell - Black Birds























No, no -- not those The Chicks.

Two great records from NZ, 1986: Sandra Bell's 'Black Birds' 12", and Jay Clarkson's self-titled mini-LP.

Jay's work is lovely melancholy indie, with supporting musicians Chris Matthews and Peter Jeffries. Reminds me a bit of Look Blue Go Purple, but that could just be because they both have songs about someone called Penelope. Coincidence?

Sandra's is definitely the darker flavour, evidenced on opener "Industrial Nite" and closer "Working Men's Club". Love the hand-screened Palangi-nesian record cover (black singlet and lavalava). The opener later appeared (as "Industrial Night") on her 'Dreams of Falling' album. I used to have the cassette of that one, which I'm sure was on Xpressway. She worked with Peter Jeffries as well on 'Dreams of Falling', along with Alastair Galbraith, Peter Gutteridge, Kathy Bull, Bruce Blucher and David Mitchell. Might have to see if I can find that one again.

Sad Hands [Link removed -- now available again here (with extras!)]

Siesta [Link removed -- now available again here or here (with extras!)]

Saturday, December 26, 2009

Platter-Rack Raid with the Rayders


Not sure who came first:  The Platterrack, the hottest nightspot in mid-Sixties Auckland with residencies from the La De Da's and The Music Convention, or this light-weight 1965 beat gem from Auckland's (and then Hamilton's) The Rayders. At least half of these tunes are Rayders orginals. Contains two bonus tracks -- "I Cry" sourced (with photo of 7") from the Like Dynamite to Your Brain blog and the very excellent "Working Man" from Wild Things Vol. 2 16 Monaural Blasts of Wyld Kiwi Garage Pop 1966-1968. Great little poppy example of the propensity of sixties New Zealand bands to show off their versatility by getting rid of any orginality. Not to say that this album isn't a lot of fun -- just not particularly edgy (except for "Working Man" which is shit-hot, mate).

Little Egypt [link removed -- this album is available again on iTunes and Spotify]